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Organizational Research Method (online first) The Quick and the Careless The Construct Validity of Page Time as a Measure of Insufficient Effort Responding to Surveys (2021-12-06) Erratum to Interaction Effects in Cross-Lagged Panel Models SEM with Latent Interactions Applied to Work-Family Conflict, Job Satisfaction, and Gender (2021-12-04) Inflection Points, Kinks, and Jumps A Statistical Approach to Detecting Nonlinearities (2021-12-03) The Use and Misuse of Organizational Research Methods ‘Best Practice’ Articles (2021-12-03) Making the Invisible Visible Guidelines for the Coding Process in Meta-Analyses (2021-12-03) Interaction Effects in Cross-Lagged Panel Models SEM with Latent Interactions Applied to Work-Family Conflict, Job Satisfaction, and Gender (2021-11-29) Team Composition Revisited A Team Member Attribute Alignment Approach (2021-10-18) Assessing Dimensionality of the Ideal Point Item Response Theory Model Using Posterior Predictive Model Checking (2021-10-18) Planned Missingness How to and How Much? (2021-05-28) A Test-Retest Reliability Generalization Meta-Analysis of Judgments Via the Policy-Capturing Technique (2021-05-12) Systematicity in Organizational Research Literature Reviews A Framework and Assessment (2021-05-04) New Network Models for the Analysis of Social Contagion in Organizations An Introduction to Autologistic Actor Attribute Models (2021-04-20) Temporal Brokering A Measure of Brokerage as a Behavioral Process (2021-04-15) Faking Detection Improved Adopting a Likert Item Response Process Tree Model (2021-04-15) A Robust Bootstrap Test for Mediation Analysis (2021-04-12) Long-Run Effects in Dynamic Systems New Tools for Cross-Lagged Panel Models (2021-03-19) Reliability Estimates for IRT-Based Forced-Choice Assessment Scores (2021-03-11) Computational Literature Reviews Method, Algorithms, and Roadmap (2021-03-09) Sample Selection in Systematic Literature Reviews of Management Research (2021-01-29) Methodological Socialization and Identity A Bricolage Study of Pathways Toward Qualitative Research in Doctoral Education (2020-12-30) Citation Context Analysis as a Method for Conducting Rigorous and Impactful Literature Reviews (2020-12-08) From Templates to Heuristics How and Why to Move Beyond the Gioia Methodology (2020-11-29) Partnering Up Including Managers as Research Partners in Systematic Reviews (2020-10-23) Coding Practices and Iterativity Beyond Templates for Analyzing Qualitative Data (2020-08-24) Templates of Ethnographic Writing in Organization Studies Beyond the Hegemony of the Detective Story (2020-08-12) Theorizing Through Literature Reviews The Miner-Prospector Continuum (2020-08-06) Best-Practice Recommendations for Producers, Evaluators, and Users of Methodological Literature Reviews (2020-08-04) Rigor With or Without Templates? The Pursuit of Methodological Rigor in Qualitative Research (2020-07-20) The Practice of Innovating Research Methods (2020-07-14) The Performativity of Literature Reviewing Constituting the Corporate Social Responsibility Literature Through Re-presentation and Intervention (2020-07-09) Organizational Research Method Inaugural Editorial (2021-11-13) An Updated Guideline for Assessing Discriminant Validity (2020-11-23) Text Preprocessing for Text Mining in Organizational Research Review and Recommendations (2020-11-23) Eight Simple Guidelines for Improved Understanding of Transformations and Nonlinear Effects (2021-03-11) Reliability Estimates for IRT-Based Forced-Choice Assessment Scores (2021-03-11) Anticipating and Addressing the Politicization of Research (2020-11-18) A Marginal Effects Approach to Interpreting Main Effects and Moderation (2021-01-05) On the Use of Balanced Item Parceling to Counter Acquiescence Bias in Structural Equation Models (2021-02-15) The Quick and the Careless The Construct Validity of Page Time as a Measure of Insufficient Effort Responding to Surveys (2021-12-06) Erratum to Interaction Effects in Cross-Lagged Panel Models SEM with Latent Interactions Applied to Work-Family Conflict, Job Satisfaction, and Gender (2021-12-04) Inflection Points, Kinks, and Jumps A Statistical Approach to Detecting Nonlinearities (2021-12-03) The Use and Misuse of Organizational Research Methods ‘Best Practice’ Articles (2021-12-03) Making the Invisible Visible Guidelines for the Coding Process in Meta-Analyses (2021-12-03) Interaction Effects in Cross-Lagged Panel Models SEM with Latent Interactions Applied to Work-Family Conflict, Job Satisfaction, and Gender (2021-11-29) Team Composition Revisited A Team Member Attribute Alignment Approach (2021-10-18) Assessing Dimensionality of the Ideal Point Item Response Theory Model Using Posterior Predictive Model Checking (2021-10-18) Planned Missingness How to and How Much? 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FLASHWEAR T-QUALIZER 2007-07-14 10 34 06 (Sat) GIZMODE PRODUCT PAGE FLASHTECH CANADA
https://w.atwiki.jp/terragen3/pages/70.html
現在、水面を作成する方法は2つあります サイズが調整可能なビルドインの"Lake object(円盤状の平らな水)"を作成する。 地形に『Water Shader』を適用し、配置をコントロールするための『blend shader』やマスキングからなる他の形態を使用する事が出来ます。 "Lake object"によって、異なる高さと異なる色や波の特性を持つ複数のユニークな水のエレメントを作成する能力を持っています。また、河川、複雑な湖の形状、およびその他の重要なエレメント作成を可能にし、その分布を微調整するための水の形状をマスクする事が出来ます。実際にこれからどのように"Lake object"を使用するか、目を通しておきましょう。 First go to the Water layout so we can place the Lake object. It s the only option currently available on the Add Water Object menu and you will immediately see your 3D preview window covered with water when you add it. After you have done so, click on it in the node list to bring up its settings. Most of the controls here are fairly self-explanatory. At the top the normal naming and enable/disable control. Handle In Preview determines whether the lake object itself will be shown in the viewport. Cast Shadows will be seldom used for now but its effect is fairly obvious - it makes the water disc cast shadows onto the terrain. Moving on let s look at the settings on tne Transform tab. the Water Level is literally just the height of the object above the base planet surface (this will be important when transparency is introduced in later versions). The Centre settings control the X, Y, Z placement of the object and can be used when precise placement of your water is needed, but it s generally easier just to drag it around in the viewport. And finally Max Radius allows you to control the size of the lake object, measured in meters as usual. The Planet and Surface Shader tabs are extremely simple. Planet allows you to specify the planet this water object is associated with. Because it s a flat disc it needs to be adjusted to fit the curvature of the planet, especially at large radius values, so it s necessary to connect it to a Planet to accomplish these changes. The Surface Shaders tab simply defines the shader for the lake object; naturally it defaults to a Water Shader. Now that we ve looked over the basic settings let s do a quick render to see how the water looks. Keep in mind that the default camera perspective is 1 kilometer above the terrain, so let s move down a bit to see the water better. Take the camera down until it seems fairly close to the water- about 200 meters - and do a render from this new camera position. At this height you should be able to see the wave structure as well as the wave variation which helps to increase realism. You ll no doubt find that water takes a bit longer to render than most other scene elements. Reflections are always quite demanding to render and Terragen 2 is no exception, but this aspect will be getting a lot of optimization in the future to improve things as much as possible. You can control all aspects of the water surface itself in the Water Shader settings. Let s take a look there now and see what kind of things can be done with the current functionality. From the Surface Shaders tab click the box to the right of the Surface Shader name (Water shader 01) and select Go to [shader name] and the water shader settings window will then be opened. Aside from the standard node controls there are only two tabs here that allow you to control all aspects of your water. In the future additional functions such as transparency and shore surf/foam will probably have their own tabs here. For now the Wave tab is visible and contains some of the most important controls to adjust the look of our water. By now you should be familiar with naming conventions of Terragen 2 so hopefully most of these will be self-explanatory. The Roughness setting controls the general roughness of the water surface and in combination with the Wave Scale and Smallest scale it determines the majority of the water shape. Wave Scale is the average wave size and Smallest Scale determines the size of the smallest details - increase this if the water shape looks too simplistic, but reduce it if you re only viewing the water from a distance as the smaller it is the more octaves in the Water Shader noise function and the longer render times will be. The next set of controls should be familiar to users of Terragen 0.9 - the Wind Patch settings. In nature there are variations in wave structure and overall water smoothness across large bodies of water which is due to several factors including wind. These settings allow you to simulate those effects and bring an extra level of realism and needed variety and interest to large water elements. The defaults give a subtle variation to the water surface, modulating the roughness across the surface with a large-scale noise function. The Wind Patch Effect setting controls the strength of this effect - the actual amount of variation there will be between different areas. Wind Patch Size controls the average scale of the areas of variation. And finally Wind Patch Sharpness sets how sharp the line between areas of variation will be, or to put it another way it controls how smooth the transition between areas of different roughness is. Now on to the Reflections tab. Master Reflectivity is fairly self-explanatory - it controls the overall level of reflectivity for the water. Index of Refraction is a technical term that refers to the amount of light refraction caused by a given material. This is implemented as the standard Index of Refraction where water is 1.33. The higher this is the more diffuse your reflections will be. Horizon Shift is a special function used to simulate the "shift" in reflection due to the aggregate effect of greater or lesser surface roughness on distant reflective surfaces. It will essentially shift the angle of distant reflection toward or away from the horizon. The easiest way to understand this is just to play with the slider and watch the effect on the preview. Highlight Intensity controls the strength of specular highlights from light sources and Min[imum] Highlight Spread allows you to control how much "spread" the reflections have - in other words how diffuse the specular highlights are. Note that you can plug a shader into the Input of the Water Shader to override or contribute to many of these built-in settings. For example you can get more control over wave shape by plugging a Power Fractal into it and using the Displacement controls. A Heightfield Shader or Image Map can be used in the same way and can be particularly useful for explicitly controlling water shape. Another important capability enabled by the Water Shader Input is controlling the color of the water. Try plugging a Default Shader into the input and adjusting color - you now have the ability to specify any color you want for the water. This also gives us a springboard to our next experiment masking the water to control its distribution.
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人物の一覧 職種は大まかなものですので目安程度に判断してください。 Producer Design(Game/Level), Scripting, Scenario, Planning Programming/Engineering Arts, Design(Graphics/Motion) Sound Producer 赤堀雅行 - Akahori Masayuki 阿部幸雄 - Abe Yukio 梅崎重治 - Umezaki Shigeharu 太田直仁 - Ohta Naoto 岡本覚 - Okamoto Satoru 兼高克志 - Kanetaka Katsuyuki 神子敏康 - Kamiko Toshiyasu 紺野秀樹 - Konno Hideki 貞本友思 - Sadamoto Tomoshi 菅浩秋 - Suga Hiroaki 辻本英之 - Tsujimoto Hideyuki 中里伸也 - Nakazato Nobuya 中村健吾 - Nakamura Kengo 西山彰則 - Nishiyama Akinori 萩原徹 - Hagihara Tohru 廣下宏治 - Hiroshita Koji 福井博幸 - Fukui Hiroyuki 藤原英裕 - Fujiwara Hidehiro 二木幸生 - Futatsugi Yukio 帆足剛彦 - Hoashi Takehiko 山田善朗 - Yamada Yoshiaki 湯田高志 - Yuda Takashi Design(Game/Level), Scripting, Scenario, Planning 阿部直光 - Abe Naomitsu 安藤行男 - Andou Yukio 池田陽一郎 - Ikeda Youichirou 池原実 - Ikehara Makoto 石澤英敏 - Ishizawa Hidetoshi 伊藤和司 - Itou Kazushi 岩尾賢一 - Iwao Kenichi 岩崎吾朗 - Iwasaki Gorou 岩崎秀雄 - Iwasaki Hideo 岩渕威 - Iwabuchi Takeshi 上田晃 - Ueda Akira 江口勝博 - Eguchi Katsuhiro 遠藤剛 - Endou Takeshi 大小原宏治 - Ohkohara Kouji 太田直仁 - Ohta Naoto 大橋悟朗 - Oohashi Gorou 岡野崇宏 - Okano Takahiro 岡村志野 - Okamura Shino 小川公一 - Ogawa Koichi 大黒健二 - Oguro Kenji 片岡和裕 - Kataoka Kazuhiro 片岡正博 - Kataoka Masahiro 門井一憲 - Kadoi Kazunori 兼高克志 - Kanetaka Katsuyuki 兼森雄一 - Kanemori Yuuichi 神子敏康 - Kamiko Toshiyasu 河野禎則 - Kawano Yoshinori 國永昌也 - Kuninaga Masaya 桑田浩之 - Kuwata Hiroyuki 紺野秀樹 - Konno Hideki 三枝浩行 - Saegusa Hiroyuki 佐々木栄一郎 - Sasaki Eiichirou 貞弘雄一郎 - Sadahiro Yu-ichirou 貞本友思 - Sadamoto Tomoshi 佐藤光 - Satou Kou 篠宮淳一 - Shinomiya Jun-ichi 柴田洋 - Shibata Hiroshi 城市智孝 - Siroichi Tomotaka 菅沼正夫 - Suganuma Masao 鈴木健 - Suzuki Takeshi 鈴木敏章 - Suzuki Toshiaki 鈴木良太 - Suzuki Ryouta 田中元陽 - Tanaka Motoharu 丹波豪人 - Tanba Hidehito 辻野浩司 - Tsujino Hiroshi 鶴逸人 - Tsuru Hayato 外川有吾 - Togawa Yuugo 中江竜也 - Nakae Tatsuya 長岡靖仁 - Nagaoka Yasuhito 中久木成一 - Nakakuki Seiichi 中里尚義 - Nakazato Takayoshi 中澤孝継 - Nakazawa Takatsugu 中田州彦 - Nakata Kunihiko 長山剛士 - Nagayama Tsuyoshi 西山彰則 - Nishiyama Akinori 蜷川裕一 - Ninagawa Yuuichi 荷村知宏 - Nimura Tomohiro 庭野健一 - Niwano Ken-ichi 長谷部裕之 - Hasebe Yasuyuki 引田一弘 Hikida Kazuhiro 藤林秀麿 - Fujibayashi Hidemaro 藤原英裕 - Fujiwara Hidehiro 二木幸生 - Futatsugi Yukio 星野雅紀 - Hoshino Masanori 前川浩之 - Mekawa Hiroyuki 前川嘉彦 - Maekawa Yoshihiko 前廣和豊 - Maehiro Kazutoyo 松井聡彦 - Matsui Akihiko 松江一樹 - Matsue Kazuki 松原啓介 - Matsuhara Keisuke 松村靖 - Matsumura Yasushi 松本裕司 - Matsumoto Yuuji 向山彰彦 - Mukaiyama Akihiko 村田治生 - Murata Haruo 安間正博 - Yasuma Masahiro 矢野智士 - Yano Tomohito 山下智久 - Yamashita Tomohisa 山田勝彦 - Yamada Katsuhiko 大和浩之 - Yamato Hiroyuki 吉岡加寿彦 - Yoshioka Kazuhiko 吉本よういち - Yoshimoto Yoh-ichi 米坂典彦 - Yonesaka Norihiko 和田誠 - Wada Makoto 渡邉哲也 - Watanabe Tetsuya Programming/Engineering 青柳範宏 - Aoyagi Norihiro 青山和浩 - Aoyama Kazuhiro 青山伸一 - Aoyama Shin-ichi 赤堀雅行 - Akahori Masayuki 秋山幸平 - Akiyama Kouhei 安達景太郎 - Adachi Keitarou 厚孝 - Atsu Takashi 阿彦裕徳 - Ahiko Hironori 阿部哲士 - Abe Tetsushi 阿部哲也 - Abe Tetsuya 穴澤友樹 - Anazawa Tomoki 安保康弘 - Anpo Yasuhiro 池田良磨 - Ikeda Ryouma 生田真也 - Ikuta Shinya 石井雄大 - Ishii Katsuhiro 石指武 - Ishizashi Takeshi 石田一朋 - Ishida Kazutomo 伊集院勝 - Ijuuin Masaru 磯脇隆 - Isowaki Takashi 板井克倫 - Itai Tatsunori 伊藤雅朗 - Itou Masaaki 伊藤嘉人 - Itou Yoshito 岩碕一男 - Iwasaki Kazuo 岩崎哲史 - Iwasaki Tetsuji 岩永欣仁 - Iwanaga Yoshihito 岩脇敏夫 - Iwawaki Toshio 上田英生 - Ueda Hideo 上山真一 - Ueyama Shin-ichi 宇佐見公介 - Usami Kousuke 梅崎重治 - Umezaki Shigeharu 浦郷勉 - Uragou Tsutomu 江川陽一 - Egawa Youichi 榎本剛志 - Enomoto Takeshi 種田克教 - Oida Katsunori 太田敬三 - Ohta Keizo 大谷規之 - Ohtani Noriyuki 大槻朗 - Ohtsuki Akira 大西康成 - Ohnishi Yasunari 大森靖 - Ohmori Yasushi 大矢哲也 - Ohya Tetsuya 大宅理仁 - Ohya Masahito 大山功 - Ohyama Isao 岡野侑 - Okano Yuu 岡野義明 - Okano Yoshiaki 小方悟史 - Ogata Satoshi 岡本覚 - Okamoto Satoru 小山田衛 - Oyamada Mamoru 柏谷佳樹 - Kashitani Yoshiki 樫野正雄 - Kashino Masao 春日はるみ - Kasuga Harumi 片野尚志 - Katano Takashi 片野徹 - Katano Tetsu 片山武史 - Katayama Takashi 葛野誠 - Kadono Makoto 金子清巳 - Kaneko Kiyomi 金子尚史 - Kaneko Takafumi 川口武史 - Kawaguchi Takeshi 河越巧 - Kawagoe Takumi 川竹英士 - Kawatake Hideshi 岸和田聡 - Kishawada Satoshi 北江格 - Kitae Tadasu 木本龍己 - Kimoto Tatsumi 蔵元久志 - Kuramoto Hisashi 黒木尚也 - Kuroki Naoya 郡司照幸 - Gunji Teruyuki 小池利幸 - Koike Toshiyuki 小久保啓三 - Kokubo Keizo 腰越隆司 - Koshigoe Takashi 後藤保 - Gotou Tamotsu 小林正樹 - Kobayashi Masaki 小林正史 - Kobayashi Masashi 斎田栄一 - Saita Eiichi 斎藤健司 - Saitou Kenji 斉藤正明 - Saitou Masaaki 斉藤仁人 - Saitou Yoshihito 坂田聖彦 - Sakata Kiyohiko 佐々木隆典 - Sasaki Ryuusuke 佐渡毅史 - Sawatari Takeshi 三膳正 - Sanzen Tadashi 島本享司 - Shimamoto Kyouji 清水睦民 - Shimizu Nobuhito 清水英明 - Shimizu Hideaki 下野俊典 - Shimono Toshinori 鈴木彰 - Suzuki Akira 鈴木義樹 - Suzuki Yoshiki 菅浩秋 - Suga Hiroaki 菅原徹 - Sugawara Tohru 須見昌之 - Sumi Masayuki 関谷英明 - Sekiya Hideaki 瀬口隆士 - Seguchi Takashi 染谷勝彦 - Sometani Katsuhiko 征矢野伸二 - Soyano Shinji 高木英嗣 - Takaki Eiji 高取利明 - Takatori Toshiaki 高山稔 - Takayama Minoru 武田長 - Takeda Takashi 田中京太 - Tanaka Kyouta 田中晋一 - Tanaka Shin-ichi 谷口晃 - Taniguchi Hikaru 樽角真澄 - Tarukado Masumi 千星修一郎 - Chiboshi Shuuichirou 辻利彦 - Tsuji Toshihiko 辻本英之 - Tsujimoto Hideyuki 土田善紀 - Tsuchida Yoshinori 綱崎裕三 - Tsunazaki Yuuzou 津森康男 - Tsumori Yasuo 遠矢龍平 - Tohya Ryuhei 徳田典 - Tokuda Tsukasa 外岡高明 - Tonooka Takaaki 中健吾 - Naka Kengo 中井一仁 - Nakai Kazuhito 中尾義治 - Nakao Yoshiharu 中川敦友 - Nakagawa Atsutomo 中川裕史 - Nakagawa Hiroshi 中村勝男 - Nakamura Katsuo 中村辰男 - Nakamura Tatsuo 成田賢 - Narita Ken 二村忍 - Nimura Shinobu 野村光一 - Nomura Kouichi 萩原徹 - Hagihara Tohru 橋本善久 - Hashimoto Yoshihisa 長谷川英一 - Hasegawa Eiichi 花島和宣 - Hanashima Kazunori 林俊幸 - Hayashi Toshiyuki 原田弘 - Harata Hiroshi 伴藤弘樹 - Bandou Hiroki 樋口勝久 - Higuchi Katsuhisa 泥谷俊晴 - Hijiya Toshiharu 平石有孝 - Hiraishi Tomonori 広野隆行 - Hirono Takayuki 廣門輝明 - Hirokado Teruaki 廣瀬紀生 - Hirose Norio 深谷文明 - Fukaya Fumiaki 福井博幸 - Fukui Hiroyuki 福沢正 - Fukuzawa Tadashi 藤井龍夫 - Fujii Tatsuo 藤末一郎 - Fujisue Ichirou 洞谷仁治 - Horagai Jinji 本田俊彦 - Honda Toshihiko 本多良行 - Honda Yoshiyuki 堀雅 - Hori Masaru 増田拓二 - Masuda Takuji 松井優介 - Matsui Yuusuke 松下正和 - Matsushita Masakazu 松田幸悦 - Matsuda Kouetsu 松野俊明 - Matsuno Toshiaki 眞延厚司 - Manobe Atsushi 南方章宏 - Minakata Akihiro 南清志 - Minami Kiyoshi 蓑宮正哲 - Minomiya Nobuaki 宮川義之 - Miyagawa Yoshiyuki 宮崎英悟 - Miyazaki Eigo 村上亜矢子 - Murakami Ayako 村上和久 - Murakami Kazuhisa 村澤裕一 - Murasawa Yuuichi 村田琢 - Murata Taku 村田武司 - Murata Takeshi 守屋俊 - Moriya Shun 矢島利明 - Yajima Toshiaki 安井健太郎 - Yasui Kentarou 安原祐二 - Yasuhara Yuji 山口明宏 - Yamaguchi Akihiro 山崎慎一郎 - Yamazaki Shin-ichirou 山田善朗 - Yamada Yoshiaki 山之内孝明 - Yamanouchi Takaaki 山本泰弘 - Yamamoto Yasuhiro 吉井清史 - Yoshii Kiyoshi 吉枝悟 - Yoshieda Satoru 吉岡光生 - Yoshioka Mitsuo 吉田幸司 - Yoshida Kouji 吉信智章 - Yoshinobu Tomoaki Gagensai YOU! Arts, Design(Graphics/Motion) 相場良祐 - Aiba Ryousuke 明石佳久 - Akashi Yoshihisa 秋山育宏 - Akiyama Yasuhiro 浅野雅世 - Asano Masayo 浅野裕治 - Asano Yuuji 芦田裕行 - Ashida Hiroyuki 阿部幸雄 - Abe Yukio 新井元 - Arai Gen 新井友行 - Arai Tomoyuki 荒井啓至 - Arai Hiroshi 荒井佳彦 - Arawi Yoshihiko 飯間忠親 - Iima Tadachika 井川純 - Ikawa Jun 生守一行 - Ikumori Kazuyuki 池田博幸 - Ikeda Hiroyuki 石井智裕 - Ishii Tomohiro 石井誠 - Ishii Makoto 石川幸生 - Ishikawa Yukio 石原雄二 - Ishikawa Yuuji 石塚好 - Ishizuka Konomi 伊地知正治 - Masaharu Ijichi 泉沢康久 - Izumisawa Yasuhisa 磯部孝幸 - Isobe Takayuki 井手弘人 - Ide Hiroto 伊藤和司 - Itou Kazushi 伊藤博美 - Itou Hiromi 稲垣喜章 - Inagaki Yoshiaki 稲垣喜光 - Inagaki Yoshimitsu 鰰沢友恵 - Inazawa Tomoe 井之口学 - Inokuchi Manabu 今井昌樹 - Imai Masaki 今堀弘之 - Imahori Hiroyuki 岩井千佳 - Iwai Chika 岩坂康史 - Iwasaka Yasushi 岩崎篤嗣 - Iwasaki Atsushi 岩田亮 - Iwata Akira 上田晃 - Ueda Akira 上田健一 - Ueda Kenichi 上田啓司 - Ueda Keiji 上田夏栄 - Ueda Natsue 植田雅生 - Ueda Masao 内田覚 - Uchida Satoru 江部耕一 - Ebe Kouichi 榎本哲也 - Enomoto Tetsuya 大石勲 - Ohishi Isao 大岩幹治 - Ohiwa Mikiharu 大戸龍太郎 - Ohto Ryotaro 太田真 - Ohta Makoto 大舘隆幸 - Ohdachi Takayuki 大西弘樹 - Ohnishi Hiroki 大野茂幸 - Ohno Shigeyuki 大川和宏 - Ohkawa Kazuhiro 大谷諭司 - Ohtani Satoshi 岡庭真一郎 - Okaniwa Shin-ichiro 岡野学 - Okano Manabu 岡久剛志 - Okahisa Tsuyoshi 小倉良則 - Ogura Yoshinori オグロアキラ - Oguro Akira 尾崎省之 - Ozaki Yoshiyuki 小田智樹 - Oda Tomoki 甲斐秀敏 - Kai Hidetoshi 陰山みずほ - Kageyama Mizuho 加治勇人 - Kaji Hayato 風野正昭 - Kazeno Masaaki 加藤清文 - Katou Kiyofumi 加藤育 - Katou Hagumu 加藤久和 - Katou Hisakazu 加藤秀幸 - Katou Hideyuki 金井重憲 - Kanai Shigenori 金田伊功 - Kanada Yoshinori 金子浩久 - Kaneko Hirohisa 蒲田泰彦 - Kamata Yasuhiko 上水口真司 - Kaminaguchi Shinji 蒲原博 - Kamohara hiroshi 唐沢華恵 - Karasawa Hamae 川石徹 - Kawaishi Tohru 川鍋由紀子 - Kawanabe Yukiko 川野隆裕 - Kawano Takahiro 河本憲孝 - Kawamoto Noritaka 神崎建三 - Kanzaki Kenzou 菊池正美 - Kikuchi Masami 木佐貫久司 - Kisanuki Hisashi 木嶋美紀 - Kijima Miki 岸本泰明 - Kishimoto Yasuaki 喜多綱毅 - Kita Kouki 北市玲子 - Kitaichi Reiko 北野義宏 - Kitano Yoshihiro 木戸健雄 - Kido Takeo 木下晃城 - Kinoshita Kouki 木本壮紀 - Kimoto Takenori 京谷有紀 - Kyoutani Yuki 草野裕朗 - Kusano Hiroaki 櫛渕敏 - 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Naitou Satoshi 中里伸也 - Nakazato Nobuya 長嶋昭子 - Nagashima Akiko 中島暁子 - Nakashima Tokiko 中谷幸夫 - Nakatani Yukio 中津英一朗 - Nakatsu Eiichirou 中野雄天 - Nakano Katsuhiro 仲野千佳子 - Nakano Chikako 長嶺裕幸 - Nagamine Hiroyuki 中村会里 - Nakamura Eri 中村健吾 - Nakamura Kengo 中村英貴 - Nakamura Hideki 中山智恵 - Nakayama Chie 長山剛士 - Nagayama Tsuyoshi 那須明彦 - Nasu Akihiko 奈良裕之 - Nara Hiroyuki 新美秀樹 - Niimi Hideki 西尾仁志 - Nishio Hitoshi 西川悟 - Nishikawa Satoru 西辻朝枝 - Nishitsuji Asae 西村崇史 - Nishimura Takafumi 西村芳雄 - Nishimura Yoshio 野上恒 - Nogami Hisashi 野末武志 - Nozue Takeshi 野津昭弘 - Notsu Akihiro 野山正 - Noyama Tadashi 橋永智幸 - Hashinaga Tomoyuki 長谷川太郎 - Hasegawa Taro 長谷川朋広 - Hasegawa Tomohiro 濱栄一 - Hama Eiichi 濱貴詞 - Hama Takashi 濱坂真一郎 - Hamasaka Shinichirou 林求 - Hayashi Motomu 疋田裕一 - Hikita Hirokazu 日野重文 - Hino Shigefumi 平木雄一郎 - Hiraki Yuuichirou 平松信宏 - Hiramatsu Nobuhiro 福本容子 - Fukumoto Youko 福井誠 - Fukui Makoto 藤井紀秀 - Fujii Norihide 藤岡要 - Fujioka Kaname 藤沢直紀 - Fujisawa Naoki 藤田允 - Fujita Makoto 藤本和章 - Fujimoto Kazuaki 藤本武史 - Fujimoto Takeshi 藤原浩 - 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掲載日：2010 / 07 / 08 フォーマット：レガシー（～ROE） Decks of the Week 7/08/2010 Constructed Legacy Event #1373703 on 07/01/2010 in Daily Events 参加人数：21名 07 / 01 (1) 4-0：青黒緑コントロール／UBG Control 07 / 01 (1) 4-0：デス＆タックス（白単）／Death＆Taxes Constructed Legacy Event #1373717 on 07/01/2010 in Daily Events 参加人数：27名 07 / 01 (2) 4-0：ランドスティル（青黒緑）／Landstill 07 / 01 (2) 4-0：ニューホライズン／New Horizons 07 / 01 (2) 3-1：白スタックス／White Stax 07 / 01 (2) 3-1：黒コントロール（タッチ白）／Black Control Constructed Legacy Event #1373725 on 07/03/2010 in Daily Events 参加人数：30名 07 / 03 (1) 4-0：デス＆タックス（白単）／Death＆Taxes 07 / 03 (1) 4-0：実物提示教育＋スタイフルノート／Show and Tell＋Stiflenought Constructed Legacy Event #1373742 on 07/03/2010 in Daily Events 参加人数：25名 07 / 03 (2) 4-0：実物提示教育＋スタイフルノート／Show and Tell＋Stiflenought 07 / 03 (2) 3-1：チャーベルチャー／Charbelcher Constructed Legacy Event #1373746 on 07/04/2010 in Daily Events 参加人数：22名 07 / 04 (1) 4-0：ズー（緑赤白）／Zoo 07 / 04 (1) 4-0：チャーベルチャー／Charbelcher Constructed Legacy Event #1373764 on 07/05/2010 in Daily Events 参加人数：28名 07 / 05 (1) 4-0：ランドスティル（青黒緑）／Landstill 07 / 05 (1) 3-1：ソリダリティ／Solidarity 07 / 01 (1) 4-0 青黒緑コントロール／UBG Control 使用者：SICKSICKSICKSICKSICKSICKSICK Main Deck 4《溢れかえる岸辺/Flooded Strand》 1《島/Island》 4《ミシュラの工廠/Mishra s Factory》 4《汚染された三角州/Polluted Delta》 3《Tropical Island》 4《Underground Sea》 4《不毛の大地/Wasteland》 4《渦まく知識/Brainstorm》 4《対抗呪文/Counterspell》 4《Force of Will》 4《恐ろしい死/Ghastly Demise》 2《無垢の血/Innocent Blood》 4《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 2《壌土からの生命/Life from the Loam》 4《破滅的な行為/Pernicious Deed》 4《呪文嵌め/Spell Snare》 4《行き詰まり/Standstill》 Sideboard 4《仕組まれた疫病/Engineered Plague》 3《根絶/Extirpate》 4《水流破/Hydroblast》 2《大渦の脈動/Maelstrom Pulse》 2《非業の死/Perish》 07 / 01 (1) 4-0 デス＆タックス（白単）／Death＆Taxes 使用者：Blazelix Main Deck 4《Karakas》 2《ミシュラの工廠/Mishra s Factory》 12《平地/Plains》 4《不毛の大地/Wasteland》 3《エーテル宣誓会の法学者/Ethersworn Canonist》 4《ちらつき鬼火/Flickerwisp》 3《ヨツンの兵卒/Jotun Grunt》 3《コロンドールのマンガラ/Mangara of Corondor》 4《ルーンの母/Mother of Runes》 4《セラの報復者/Serra Avenger》 3《石鍛冶の神秘家/Stoneforge Mystic》 4《霊気の薬瓶/AEther Vial》 2《忘却の輪/Oblivion Ring》 1《ルーンの光輪/Runed Halo》 1《火と氷の剣/Sword of Fire and Ice》 1《光と影の剣/Sword of Light and Shadow》 4《剣を鍬に/Swords to Plowshares》 1《梅澤の十手/Umezawa s Jitte》 Sideboard 2《沈黙のオーラ/Aura of Silence》 2《ブレンタンの炉の世話人/Burrenton Forge-Tender》 1《エーテル宣誓会の法学者/Ethersworn Canonist》 3《台所の嫌がらせ屋/Kitchen Finks》 2《貪欲な罠/Ravenous Trap》 3《沈黙/Silence》 2《トーモッドの墓所/Tormod s Crypt》 07 / 01 (2) 4-0 ランドスティル（青黒緑）／Landstill 使用者：LordHypno Main Deck 3》溢れかえる岸辺/Flooded Strand》 1》島/Island》 4》ミシュラの工廠/Mishra s Factory》 1》変わり谷/Mutavault》 3》汚染された三角州/Polluted Delta》 1》Scrubland》 2》Tropical Island》 2》Tundra》 3》Underground Sea》 4》不毛の大地/Wasteland》 4》渦まく知識/Brainstorm》 4》対抗呪文/Counterspell》 2》世界のるつぼ/Crucible of Worlds》 3》目くらまし/Daze》 4》Force of Will》 2》無垢の血/Innocent Blood》 2》精神を刻む者、ジェイス/Jace, the Mind Sculptor》 4》破滅的な行為/Pernicious Deed》 4》行き詰まり/Standstill》 3》もみ消し/Stifle》 4》剣を鍬に/Swords to Plowshares》 Sideboard 3》赤の防御円/Circle of Protection Red》 3》仕組まれた疫病/Engineered Plague》 2》無垢の血/Innocent Blood》 2》セファリッドの女帝ラワン/Llawan, Cephalid Empress》 2》精神壊しの罠/Mindbreak Trap》 3》トーモッドの墓所/Tormod s Crypt》 07 / 01 (2) 4-0 ニューホライズン／New Horizons 使用者：Bear Named Snuffy Main Deck 1》森/Forest》 3》地平線の梢/Horizon Canopy》 1》Karakas》 4》霧深い雨林/Misty Rainforest》 3》Tropical Island》 3》Tundra》 4》不毛の大地/Wasteland》 4》吹きさらしの荒野/Windswept Heath》 4》聖遺の騎士/Knight of the Reliquary》 4》タルモゴイフ/Tarmogoyf》 2》土を食うもの/Terravore》 1》ヴェンディリオン三人衆/Vendilion Clique》 4》渦まく知識/Brainstorm》 4》目くらまし/Daze》 2》仕組まれた爆薬/Engineered Explosives》 4》Force of Will》 4》思案/Ponder》 4》もみ消し/Stifle》 4》剣を鍬に/Swords to Plowshares》 Sideboard 1》仕組まれた爆薬/Engineered Explosives》 4》クローサの掌握/Krosan Grip》 1》セファリッドの女帝ラワン/Llawan, Cephalid Empress》 2》翻弄する魔道士/Meddling Mage》 2》ロウクスの戦修道士/Rhox War Monk》 4》トーモッドの墓所/Tormod s Crypt》 1》ヴェンディリオン三人衆/Vendilion Clique》 07 / 01 (2) 3-1 白スタックス／White Stax 使用者：Edel Main Deck 4》古えの墳墓/Ancient Tomb》 4》裏切り者の都/City of Traitors》 2》トロウケアの敷石/Flagstones of Trokair》 1》Karakas》 3》ミシュラの工廠/Mishra s Factory》 7》平地/Plains》 4》不毛の大地/Wasteland》 3》悪斬の天使/Baneslayer Angel》 3》幕屋の大魔術師/Magus of the Tabernacle》 3》ハルマゲドン/Armageddon》 4》虚空の杯/Chalice of the Void》 4》世界のるつぼ/Crucible of Worlds》 4》亡霊の牢獄/Ghostly Prison》 4》モックス・ダイアモンド/Mox Diamond》 3》忘却の輪/Oblivion Ring》 3》煙突/Smokestack》 4》三なる宝球/Trinisphere》 Sideboard 1》ハルマゲドン/Armageddon》 2》防御の光網/Defense Grid》 3》エーテル宣誓会の法学者/Ethersworn Canonist》 3》フェアリーの忌み者/Faerie Macabre》 1》忘却の輪/Oblivion Ring》 1》煙突/Smokestack》 4》トーモッドの墓所/Tormod s Crypt》 07 / 01 (2) 3-1 黒コントロール（タッチ白）／Black Control 使用者：Boin Main Deck 2》血染めのぬかるみ/Bloodstained Mire》 3》湿地の干潟/Marsh Flats》 3》汚染された三角州/Polluted Delta》 2》Scrubland》 6》冠雪の沼/Snow-Covered Swamp》 2》新緑の地下墓地/Verdant Catacombs》 4》不毛の大地/Wasteland》 4》闇の腹心/Dark Confidant》 4》マラキールの門番/Gatekeeper of Malakir》 4》惑乱の死霊/Hypnotic Specter》 4》潮の虚ろの漕ぎ手/Tidehollow Sculler》 4》暗黒の儀式/Dark Ritual》 4》Hymn to Tourach》 4》師範の占い独楽/Sensei s Divining Top》 4》剣を鍬に/Swords to Plowshares》 4》思考囲い/Thoughtseize》 2》梅澤の十手/Umezawa s Jitte》 Sideboard 4》死の印/Deathmark》 4》強迫/Duress》 3》真髄の針/Pithing Needle》 4》燻し/Smother》 07 / 03 (1) 4-0 デス＆タックス（白単）／Death＆Taxes 使用者：Blazelix Main Deck 4《Karakas》 2《ミシュラの工廠/Mishra s Factory》 12《平地/Plains》 4《不毛の大地/Wasteland》 3《エーテル宣誓会の法学者/Ethersworn Canonist》 4《ちらつき鬼火/Flickerwisp》 3《ヨツンの兵卒/Jotun Grunt》 3《コロンドールのマンガラ/Mangara of Corondor》 4《ルーンの母/Mother of Runes》 4《セラの報復者/Serra Avenger》 3《石鍛冶の神秘家/Stoneforge Mystic》 4《霊気の薬瓶/AEther Vial》 2《忘却の輪/Oblivion Ring》 1《ルーンの光輪/Runed Halo》 1《火と氷の剣/Sword of Fire and Ice》 1《光と影の剣/Sword of Light and Shadow》 4《剣を鍬に/Swords to Plowshares》 1《梅澤の十手/Umezawa s Jitte》 Sideboard 2《沈黙のオーラ/Aura of Silence》 2《ブレンタンの炉の世話人/Burrenton Forge-Tender》 1《エーテル宣誓会の法学者/Ethersworn Canonist》 1《剛胆な勇士/Intrepid Hero》 2《台所の嫌がらせ屋/Kitchen Finks》 2《貪欲な罠/Ravenous Trap》 3《沈黙/Silence》 2《トーモッドの墓所/Tormod s Crypt》 07 / 03 (1) 4-0 実物提示教育＋スタイフルノート／Show and Tell＋Stiflenought 使用者：DoctorPenick Main Deck 1《Bayou》 1《森/Forest》 2《島/Island》 3《霧深い雨林/Misty Rainforest》 4《苔汁の橋/Mosswort Bridge》 3《汚染された三角州/Polluted Delta》 1《沼/Swamp》 2《Tropical Island》 3《Underground Sea》 4《引き裂かれし永劫、エムラクール/Emrakul, the Aeons Torn》 4《ファイレクシアン・ドレッドノート/Phyrexian Dreadnought》 1《鋼の風のスフィンクス/Sphinx of the Steel Wind》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《Force of Will》 1《ドラゴン変化/Form of the Dragon》 4《Lim-Dul s Vault》 4《実物提示教育/Show and Tell》 4《もみ消し/Stifle》 4《思考囲い/Thoughtseize》 3《俗世の教示者/Worldly Tutor》 Sideboard 1《魅力的な執政官/Blazing Archon》 2《強迫/Duress》 1《フェアリーの忌み者/Faerie Macabre》 1《エメリアの盾、イオナ/Iona, Shield of Emeria》 2《クローサの掌握/Krosan Grip》 3《破滅的な行為/Pernicious Deed》 2《真髄の針/Pithing Needle》 3《トーモッドの墓所/Tormod s Crypt》 07 / 03 (2) 4-0 実物提示教育＋スタイフルノート／Show and Tell＋Stiflenought 使用者：DoctorPenick Main Deck 1《Bayou》 1《森/Forest》 2《島/Island》 3《霧深い雨林/Misty Rainforest》 4《苔汁の橋/Mosswort Bridge》 3《汚染された三角州/Polluted Delta》 1《沼/Swamp》 2《Tropical Island》 3《Underground Sea》 4《引き裂かれし永劫、エムラクール/Emrakul, the Aeons Torn》 4《ファイレクシアン・ドレッドノート/Phyrexian Dreadnought》 1《鋼の風のスフィンクス/Sphinx of the Steel Wind》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《Force of Will》 1《ドラゴン変化/Form of the Dragon》 4《Lim-Dul s Vault》 4《実物提示教育/Show and Tell》 4《もみ消し/Stifle》 4《思考囲い/Thoughtseize》 3《俗世の教示者/Worldly Tutor》 Sideboard 1《魅力的な執政官/Blazing Archon》 2《強迫/Duress》 1《フェアリーの忌み者/Faerie Macabre》 1《エメリアの盾、イオナ/Iona, Shield of Emeria》 2《クローサの掌握/Krosan Grip》 2《真髄の針/Pithing Needle》 4《タルモゴイフ/Tarmogoyf》 2《トーモッドの墓所/Tormod s Crypt》 07 / 03 (2) 3-1 チャーベルチャー／Charbelcher 使用者：Amanita Main Deck 1《極楽鳥/Birds of Paradise》 4《Elvish Spirit Guide》 4《猿人の指導霊/Simian Spirit Guide》 4《通りの悪霊/Street Wraith》 3《ほくちの壁/Tinder Wall》 1《野生の朗詠者/Wild Cantor》 1《古きものの活性/Ancient Stirrings》 1《燃え立つ願い/Burning Wish》 4《金属モックス/Chrome Mox》 4《暗黒の儀式/Dark Ritual》 3《捨て身の儀式/Desperate Ritual》 4《ゴブリンの放火砲/Goblin Charbelcher》 4《ライオンの瞳のダイアモンド/Lion s Eye Diamond》 4《水蓮の花びら/Lotus Petal》 4《魔力変/Manamorphose》 4《炎の儀式/Rite of Flame》 4《煮えたぎる歌/Seething Song》 2《大霊堂の戦利品/Spoils of the Vault》 4《召喚士の契約/Summoner s Pact》 Sideboard 1《古きものの活性/Ancient Stirrings》 1《燃え立つ願い/Burning Wish》 2《防御の光網/Defense Grid》 2《強迫/Duress》 1《残響する破滅/Echoing Ruin》 1《巣穴からの総出/Empty the Warrens》 1《不正利得/Ill-Gotten Gains》 1《破壊放題/Shattering Spree》 1《簡略化/Simplify》 1《大霊堂の戦利品/Spoils of the Vault》 1《苦悶の触手/Tendrils of Agony》 1《ほくちの壁/Tinder Wall》 1《平穏/Tranquility》 07 / 04 (1) 4-0 ズー（緑赤白）／Zoo 使用者：kmc Main Deck 3《乾燥台地/Arid Mesa》 2《森/Forest》 2《地平線の梢/Horizon Canopy》 1《平地/Plains》 3《Plateau》 2《Taiga》 4《吹きさらしの荒野/Windswept Heath》 4《樹木茂る山麓/Wooded Foothills》 1《ガドック・ティーグ/Gaddock Teeg》 3《渋面の溶岩使い/Grim Lavamancer》 3《密林の猿人/Kird Ape》 2《聖遺の騎士/Knight of the Reliquary》 4《クァーサルの群れ魔道士/Qasali Pridemage》 3《石鍛冶の神秘家/Stoneforge Mystic》 4《タルモゴイフ/Tarmogoyf》 4《野生のナカティル/Wild Nacatl》 4《Chain Lightning》 1《火炎破/Fireblast》 4《稲妻/Lightning Bolt》 3《流刑への道/Path to Exile》 1《火と氷の剣/Sword of Fire and Ice》 1《光と影の剣/Sword of Light and Shadow》 1《梅澤の十手/Umezawa s Jitte》 Sideboard 1《ボジューカの沼/Bojuka Bog》 1《ガドック・ティーグ/Gaddock Teeg》 2《Karakas》 1《聖遺の騎士/Knight of the Reliquary》 2《クローサの掌握/Krosan Grip》 3《真髄の針/Pithing Needle》 2《紅蓮破/Pyroblast》 2《剣を鍬に/Swords to Plowshares》 1《梅澤の十手/Umezawa s Jitte》 07 / 04 (1) 4-0 チャーベルチャー／Charbelcher 使用者：xkorpio Main Deck 4《Elvish Spirit Guide》 4《猿人の指導霊/Simian Spirit Guide》 4《通りの悪霊/Street Wraith》 4《ほくちの壁/Tinder Wall》 1《野生の朗詠者/Wild Cantor》 2《陰謀団の儀式/Cabal Ritual》 4《金属モックス/Chrome Mox》 4《暗黒の儀式/Dark Ritual》 1《巣穴からの総出/Empty the Warrens》 4《ゴブリンの放火砲/Goblin Charbelcher》 3《冥府の教示者/Infernal Tutor》 4《ライオンの瞳のダイアモンド/Lion s Eye Diamond》 4《水蓮の花びら/Lotus Petal》 4《魔力変/Manamorphose》 4《炎の儀式/Rite of Flame》 1《煮えたぎる歌/Seething Song》 4《大霊堂の戦利品/Spoils of the Vault》 4《召喚士の契約/Summoner s Pact》 Sideboard 1《陰謀団式療法/Cabal Therapy》 1《巣穴からの総出/Empty the Warrens》 4《自然の要求/Nature s Claim》 4《否定の契約/Pact of Negation》 1《殺戮の契約/Slaughter Pact》 4《ザンティッドの大群/Xantid Swarm》 07 / 05 (1) 4-0 ランドスティル（青黒緑）／Landstill 使用者：SICKSICKSICKSICKSICKSICKSICK Main Deck 4《溢れかえる岸辺/Flooded Strand》 1《島/Island》 4《ミシュラの工廠/Mishra s Factory》 4《汚染された三角州/Polluted Delta》 3《Tropical Island》 4《Underground Sea》 4《不毛の大地/Wasteland》 4《渦まく知識/Brainstorm》 4《対抗呪文/Counterspell》 4《Force of Will》 3《恐ろしい死/Ghastly Demise》 3《無垢の血/Innocent Blood》 4《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 2《壌土からの生命/Life from the Loam》 4《破滅的な行為/Pernicious Deed》 4《呪文嵌め/Spell Snare》 4《行き詰まり/Standstill》 36 other spells Sideboard 4《仕組まれた疫病/Engineered Plague》 3《根絶/Extirpate》 4《水流破/Hydroblast》 1《壌土からの生命/Life from the Loam》 2《大渦の脈動/Maelstrom Pulse》 1《非業の死/Perish》 07 / 05 (1) 3-1 ソリダリティ／Solidarity 使用者：silversurfer82 Main Deck 3《溢れかえる岸辺/Flooded Strand》 12《島/Island》 3《汚染された三角州/Polluted Delta》 1《思考停止/Brain Freeze》 4《渦まく知識/Brainstorm》 3《狡猾な願い/Cunning Wish》 3《洞察のひらめき/Flash of Insight》 3《Force of Will》 4《High Tide》 4《衝動/Impulse》 4《瞑想/Meditate》 3《選択/Opt》 3《差し戻し/Remand》 4《Reset》 3《転換/Turnabout》 3《双つ術/Twincast》 Sideboard 1《思考停止/Brain Freeze》 1《謎めいた命令/Cryptic Command》 1《消灯/Curfew》 1《残響する真実/Echoing Truth》 1《万の眠り/Gigadrowse》 1《ハーキルの召還術/Hurkyl s Recall》 2《水流破/Hydroblast》 1《精神壊しの罠/Mindbreak Trap》 1《好機/Opportunity》 1《否定の契約/Pact of Negation》 1《心霊破/Psionic Blast》 1《もみ消し/Stifle》 1《天才のひらめき/Stroke of Genius》 1《転換/Turnabout》
https://w.atwiki.jp/indroid/pages/23.html
Japanese companies have dedicated a large amount of advertising expenses to "the mass media which YAKUZA(as Mafia) manages." It is equal to performing the assistance to anti-social influence, and a contribution. You should resign the dealings with the Japanese company contrary to ISO26000 at once. Японские компании посвятили большое количество рекламных расходов в "СМИ, которая управляет ЯКУЗА (как Mafia)." Она равна выполнения помощь антисоциального влияния, и вклад. Вы должны уйти в отставку в деловые отношения с японской компанией вопреки ISO26000 сразу. Las empresas japonesas han dedicado una gran cantidad de los gastos de publicidad de "los medios de comunicación que maneja YAKUZA (como la mafia)." Es igual a la realización de la asistencia a la influencia anti-social y una contribución. Usted debe renunciar a los tratos con la compañía japonesa al contrario de ISO26000 a la vez. 日本企業はに広告宣伝費を大量に捧げている 「（マフィアなど）YAKUZAが管理するマスメディア。" これは、反社会的な影響への支援、および貢献を実行することに等しい。一度にISO26000する日本企業反するとの取引を辞任すべき。 Japanische Unternehmen haben eine große Menge an Werbekosten für gewidmet "Die Massenmedien, die YAKUZA (wie Mafia) verwaltet." Es ist gleich der Durchführung der Hilfe für die anti-sozialen Einfluss und einen Beitrag leisten. Sie sollten den Umgang mit dem japanischen Unternehmen Gegenteil abfinden, auf einmal ISO26000. Les entreprises japonaises ont consacré une grande quantité de dépenses de publicité à "les médias qui YAKUZA (comme Mafia) gère." Elle est égale à l exécution de l assistance à l influence anti-sociale, et une contribution. Vous devriez démissionner les relations avec la société japonaise contrairement à ISO26000 à la fois. Le aziende giapponesi hanno dedicato una grande quantità di spese pubblicitarie per "i mass media che YAKUZA (come mafia) gestisce." E uguale ad effettuare l assistenza alla influenza anti-sociale, e un contributo. Si dovrebbe dimettersi i rapporti con la società giapponese in contrasto con ISO26000 in una sola volta. 日本企业投入了大量的广告费用，以 “大众媒体的YAKUZA（如黑手党）管理。” 它等于执行反社会影响力的服务和贡献。你应该辞职与日本公司相反的交易，以ISO26000一次。 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
https://w.atwiki.jp/vocaloidenglishlyric/pages/1168.html
【Tags Miku millstones tW K】 Original Music title カガリビト English music title Whipstitching Person Romaji music title Kagaribito Music Lyrics written, Voice edited by millstones Music arranged by millstones Singer(s) 初音ミク (Hatsune Miku) Append Dark, Soft, Solid Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： ["I will give you a string of light and unbreakable volition.", she said. Repair the wonderful world with them. Always hope will shine our road, even though I disappear.] As she dashes through a dormant town that has fallen into deathly silence, riding on the blowing dancing wind, she approaches the depths of the night. While the bright moonlight has captured the side of her face, what is she trying to seize with her coldly shining left hand? Patching up one of the fragments of this eroding world with the flame of her will, she walks on. Because it s a duty with no end in sight, she has ceased to ask why, but merely keeps working diligently. When she realizes that her silk s severed and she s left with a mere needle, having nothing to let her cling to, she kneels down. Reflected on the water surface, with a body full of patches and stitches, she asks the mundane world is this a dream or an illusion? Worn out, she falls into a slumber, and begins dreaming; the bonfire has fallen apart and is singeing the sky; awakened from her dream, she gets up and starts walking wobbly again. She repeats this cycle, just like the solitary sun in the sky. She must keep all the flames in the world ablaze. The sky cleared up into cerulean blue. As she leaned against a rock in its shade, a breeze, caressing her cheeks, whispered to her "Good night." Eroding and eroding, returning to fragments, her memory of the present world remains foggy, and still has no sign of clearing up any time soon. Barely, only very barely, she has managed to retain her physical form with feeble magic, but that s merely a shadow clone of her irreplaceable once-and-only life. In her motionless right hand is a bouquet of cape jasmines, which is a farewell gift for her soul that s returning to earth. Left behind in the world is boundless despair, as well as an eternity that, hopefully, will not last. [Keepers of the Eternity are no longer collapsed. Now destiny has become yours.] [Translation notes] The title, "kagaribito", can (and does in this song) refer to either a tailor who patches up holes or a bonfire keeper. Romaji lyrics (transliterated by animeyay)： ["I will give you a string of light and unbreakable volition.", she said. Repair the wonderful world with them. Always hope will shine our road, even though I disappear.] shizumarikaeri nemuru machi o kakeyuku fukinuke odoru kaze ni nori yoru no fuchi e kagayaku tsuki ga sono yokogao o toraeru tsumetaku hikaru hidarite wa nani o tsukamu hotsureyuku sekai no kakera o hitohira ishi no hi o katate ni kagari aruku owari nado mienai shikumi na no da kara tou koto wa akirame hitotsu-hitotsu sugaito togire kizukeba yuiitsu no hari sugaru koto sae yurusarezu ni hiza o oru minamo ni utsuru TSUGIHAGI darake no karada utsusemi ni tou kore wa yume ka maboroshi ka kutabirete wa nemuri akai yume o miru kagaribi wa taorete sora o kogasu sekitaterareru you ni yurari arukidasu kodoku na hoshi no you ni kurikaeshite tsunagitomeru subete no hi o sumikitta aozora iwakage ni motarete hoho nadeyuku kaze wa "oyasumi" to tsubuyaita hotsure hotsure kakera ni modoru utsushiyo no kioku wa musan no setogiwa o imada mizu karoujite tomeru katachi o tsunagu aenai mahou wa kakegae no nai inochi no kage ugokanu sono migite ni wa KUCHINASHI no hanataba o chi ni kaeru tamashii ni sasagu hanamuke nokosareta sekai ni wa fuchi-nashi no zetsubou to negawakuba shibaraku no eien o [Keepers of the Eternity are no longer collapsed. Now destiny has become yours.] []
https://w.atwiki.jp/satoschi/pages/8148.html
* ｜Australian languages｜ 言語類型 現用言語 使用文字 type living language writing system ISO 639-3 【wny】 言語名別称 alternate names Waangyee Waanyi Wanee Wanji Wanyee Wonyee 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International Wikipedia
https://w.atwiki.jp/v-lyrics/pages/518.html
2010-04-25 First Entry 2010-04-25 20 51 50 (Sun) Last update Trasnlated by angelica Title Alice Human Sacrifice Lyric Once upon a time, there was a tiny dream. Nobody understood who dreamt it, because it was such a tiny dream. The tiny dream began to think "I don t want to disappear like this. How can I make people dream me?" The little dream thought and thought, and finally had an idea. "I ll make humans get lost in me, and let them make my world." The first of the ALICES was a gallant red girl Holding her sword in one hand, she went through Wonderland Cutting down more colorful creatures than she could count The road that was behind her turned bright red in her wake As for that Alice, she s in the forest Just like a criminal, she has been all locked away Besides the path that she made in the forest There is no way you can know she existed at all. The second of ALICES was a quite meek blue man Singing all the songs he knew, he went through Wonderland Spreading out more lovely notes than he could really count, The world that he gave birth to had surely gone insane As for that Alice, he s just like a rose By a man who had gone mad, he was shot between the eyes One bright red flower that he made to bloom He is loved by everyone as he goes off to die The third of the ALICES was a pretty young girl With her beautiful figure, she went to Wonderland Deceiving more people than she really cared to count She created a very strange country for them all And that poor Alice was the country s queen By a very twisted dream, she was rapidly possessed Becoming so afraid of her decaying body From the summit of her country she still lives to rule Somewhat following the small path through the forest They had a tea party underneath the rosebush From the palace came a pretty invitation card The ace of hearts, the trump suit The fourth of the ALICES were happy twin children From their curiousity they entered Wonderland Passing through more doors and gates than they wanted to count, They had only just recently entered this strange place With a strong-hearted big sister and her intelligent brother They were close to being the first of ALICES, but then Those two people will not ever wake up from their dream They are doomed to forever wander through Wonderland. Note The first part of translation, the part not sung, is almost entirely borrowed from bluepenguin (http //penguinsjlyrics.webs.com/other/vlhitobashira.htm). Most of the song is my own work, using hers as a crutch to get done faster. The main exceptions "was a gallant red girl" and "was a quite meek blue man" should really just be, strictly speaking, "gallantly" and "meekly". "Shot between the eyes" is throughly cheating. "Ace" of hearts. And the parts about the counting are a twisting of the word commonly translated "countless", to emphasize how those sentences are similar.Singable! Singable! That s the important thing! Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る